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After the Obama era, perhaps none of this should feel groundbreaking. In the midst of a regressive cultural and political moment fueled in part by the white-nativist movement, the very existence of feels like resistance.Its themes challenge institutional bias, its characters take unsubtle digs at oppressors, and its narrative includes prismatic perspectives on black life and tradition.is poised to prove to Hollywood that African-American narratives have the power to generate profits from all audiences.
It is also incredibly entertaining, filled with timely comedy, sharply choreographed action and gorgeously lit people of all colors.
“You have superhero films that are gritty dramas or action comedies,” director Ryan Coogler tells TIME.
The fact that Back when the film was announced, in 2014, nobody knew that it would be released into the fraught climate of President Trump’s America—where a thriving black future seems more difficult to see.
Trump’s reaction to the Charlottesville chaos last summer equated those protesting racism with violent neo-Nazis defending a statue honoring a Confederate general.
As is typical of the climate we’re in, signifies a threat to some is unsurprising.
A fictional African King with the technological war power to destroy you—or, worse, the wealth to buy your land—may not please someone who just wants to consume the latest Marvel chapter without deeper political consideration.The world shows you that your possibilities are boundless.Now, after a brief respite, you again have a President.Immigrants from Mexico, Central America and predominantly Muslim countries are some of the President’s most frequent scapegoats.So what does it mean to see this film, a vision of unmitigated black excellence, in a moment when the Commander in Chief reportedly, in a recent meeting, dismissed the 54 nations of Africa as “sh-thole countries”?In June of that year, James Meredith, an activist who four years earlier had become the first black person admitted to Ole Miss, started the March Against Fear, a long walk of protest from Memphis to Mississippi, alone.On the second day of the march, he was wounded by a gunman.When considering the folks who preemptively hate The history of black power and the movement that bore its name can be traced back to the summer of 1966.To him, integration in a white-dominated America meant assimilation by default.When it doesn’t happen, we are all the poorer for it. What seems like just another entry in an endless parade of superhero movies is actually something much bigger.It hasn’t even hit theaters yet and its cultural footprint is already enormous.