When death comes back into Liesel’s life to take her this time, he brings her a gift.Death went back through the ruined Himmel Street to find the Liesel’s book from the rubble, and he gave her the dusty black book from his pocket,” (Zusak 549) Liesel’s book, The Book Thief.Death’s clever side note tells us, “He didn’t deserve to die the way he did,” and a few sentences later, revealed to us is: “he was not deserving of the fate that met him a Worthington 3! ” (Zusak 242) Now the reader anticipates a near death for this young character.Tags: The Big Sleep Thesis5 Paragraph Essays On School UniformsAndre Dehon ThesisBaseball Writing PaperCriteria For Writing A Reflective EssayWriting Paper For Fountain PensCreative Writing Story ExamplesInternet Essay In Urdu
The versatility shown within Death as a narrator gives the point of view of the book a unique character that contributes to the story.
The second literary device that is used inherently is foreshadowing.
In using death as a narrator, the author created a highly versatile telling of the story, as the the tale can be told in several places at several times.
For example, when an enemy air raider crashed near Himmel Street, death was there to answer. Before anyone could intervene, “[Death] was reaching into the cockpit.
While these foreshadowings may be hard to catch on to, they can give away essential information to the story.
Irony is third and final literary device the reader finds to enhance the story.
Death spoke about sufferings with the Parisians: “When their bodies [the Jews] had finished scouring for gaps in the doors, their souls rose up…their fingernails had scratched at the wood and in some cases were nailed into it by sheer force of desperation…” (Zusak 349) Death keeps the reader aware of the WWII happenings both in and out of Molching.
The final piece of evidence that demonstrates variety in the character of the narrator is found at the very end of the book.
The Hubermann’s raise Liesel well, helping her through chaos she went through, as Liesel made friends, like her best friend and unknown lover, Rudy Steiner.
As Liesel explores her love of books and her thrive to steal she is acquainted with a Jew, who comes to hide in the Hubermann basement.