It is first utilized to bring the reader into the piece and make the introduction pop, with “Late evening rays [...] casting a gentle glow” and “the soft luminescence of the art studio” becoming “a fluorescent glare.” Immediately, the reader knows what the essay will generally be about: art.Still, in the beginning of the essay, a lot of information is left out, leaving the reader begging for details to contextualize the mental images Bobby leaves them.It was the difference between drawing a man's face and using abstraction to explore his soul.
It is first utilized to bring the reader into the piece and make the introduction pop, with “Late evening rays [...] casting a gentle glow” and “the soft luminescence of the art studio” becoming “a fluorescent glare.” Immediately, the reader knows what the essay will generally be about: art.Still, in the beginning of the essay, a lot of information is left out, leaving the reader begging for details to contextualize the mental images Bobby leaves them.It was the difference between drawing a man's face and using abstraction to explore his soul.Tags: Master Thesis ScholarshipsPay For Essay ReviewsPart Of Research PaperHow To Write A Conclusion For An AssignmentMost Prized Possession EssayResearch Paper About BullyingResearch Proposal BusinessEssay On Save Electricity Save FutureTerm Papers In LiteratureBeauty S Opinion Essay
I suppose this is strange, as the rest of my life can best be characterized by everything the studio is not: cleanliness and order and structure.
But then again, the studio was like nothing else in my life, beyond anything in which I've ever felt comfortable or at ease. My carefully composed sketchbooks—the proportions just right, the contrast perfected, the whiteness of the background meticulously preserved—were often marred by the frenzied strokes of my instructor's charcoal as he tried to teach me not to draw accurately, but passionately. But thus was the fundamental gap in my artistic understanding—the difference between the surface realities that I wanted to depict, and the profound though elusive truths of the human condition that art could explore.
One such example is “the whiteness of the background” on his sketchbook being “meticulously preserved” but yet “marred by the frenzied strokes of my instructor's charcoal.” Nevertheless, imagery alone does not provide the concrete, powerful narrative found in Bobby’s essay.
One of the most powerful appeals of the essay is that it represents a coming-of-age story that echoes the Bildungsroman literary sub-genre, in which characters evolve psychologically from youth to adulthood during the story.
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ID=12 9) Xerox Scholarships for Students Sports Scholarships and Internships National Assoc. Indeed, not only does this essay document Bobby’s development from child to young adult, but Bobby’s art also matures from something orderly and superficial to something abstract and deeply meaningful.What separates Bobby’s essay from a well-written story, however, is the subtextual narrative it provides the reader.State: California, USA High School: Public school, 422 students in graduating class Ethnicity: Biracial Gender: Male GPA: 4.5 out of 4.0 SAT: Reading 800, Math 800, Writing 800 ACT: 33 SAT Subject Tests Taken: Mathematics Level 2, Biology E/M, Physics, U. History Extracurriculars: Science Bowl team captain, intern at U. Congressman’s District Office, varsity tennis, Interact Club President, senior class president Awards: Ron Brown Goldman Sachs Scholar; CA Science Olympiad State gold medalist Major: Environmental Science and Public Policy ESSAY For the longest time there were two people waking up in my bed each morning, and neither of them knew who I was.One boy dedicated his time to observe the remains of an assassin bug, a hugely impactful predator with a name fit for its voracious nature.Apart from surface manifestations altogether, this realm was simultaneously one of austere simplicity and aesthetic intricacy, of departure from realism and immersion in reality, of intense emotion and uninhibited expression.It was the realm of lines that could tell stories, of colors and figures that meant nothing and everything.Just as Bobby the new artist’s “lines began to unabashedly disregard the rules of depth or tonality,” so too did art slowly—from the playful light of Monet’s Impressionism, to the square faces of Picasso’s Cubism and the complete abstraction of Pollock’s expressionism—care less and less about how realistic it was and more about the message it conveyed.In Bobby’s words, “It was the difference between drawing a man's face and using abstraction to explore his soul.” Disclaimer: With exception of the removal of identifying details, essays are reproduced as originally submitted in applications; any errors in submissions are maintained to preserve the integrity of the piece.And I can't tell you exactly when or why my attitude changed, but eventually my own lines began to unabashedly disregard the rules of depth or tonality to which I had once dutifully adhered, my fervor leaving in its wake black fingerprints and smudges where once had existed unsoiled whiteness.It was in this studio that I eventually made the leap into a new realm of art—a realm in which I was neither experienced nor comfortable.