Calibre Prize Essay

Calibre Prize Essay-63
Friday afternoons you will receive a summary of what’s happening on the weekend.Founded in 1961 in Adelaide by Max Harris and Rosemary Wighton, Australian Book Review (ABR) has long been a vital part of Australia’s cultural life.

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Indigeneity in an Expanded Field: Integrative Graduate Humanities Education and Research Training (IGHERT) The IGHERT project, on the pilot theme of ‘Indigeneity in an Expanded Field’, involves a set of structured research investigations and cross-institutional collaborations aimed at piloting new models of post-graduate training.

I am the ANU’s Principal Investigator on the project, collaborating with colleagues from the Universities of California (Santa Cruz), Wisconsin (Milwaukee) and Giessen.

(Melbourne: Melbourne University Press, 2003 & 2004), 320 pp. https:// ‘Expedition as Time Capsule: Introducing the American–Australian Scientific Expedition to Arnhem Land’ in , no. lookfor=thomas, martin edward&type=author&limit[]=&submit=Find&limit[]=format: Audio&page=1 Heritage in the limelight: The magic lantern in Australia and the world The project aims to discover and analyse the large number of glass magic lantern slides that remain under-utilised in public collections.

https://com.au/items/149661 Winner of the Gleebooks Prize for Literary and Cultural Criticism, 2004 New South Wales Premier’s Literary Awards and short-listed for the following prizes: Award for Innovation in Writing, 2004 South Australian Festival Awards for Literature; Award for Non-Fiction, 2004 South Australian Festival Awards for Literature. ‘Bones as a Bridge Between Worlds: Responding with ceremony to the repatriation of Aboriginal human remains from the United States to Australia’ in Kate Darian-Smith and Penelope Edmonds (eds), (London and New York: Routledge), 2013, pp. https:// ‘“Because it’s Your Country”: The Repatriation of Human Remains from the Smithsonian Institution to an Aboriginal Community in West Arnhem Land’, No. An interdisciplinary team of researchers aims to apply their knowledge to this neglected resource in order to understand how diverse audiences affectively experienced these powerful forms of early media, and to develop ways for today’s Australians to re-experience their magic, invigorating and expanding our cultural heritage.

He has written numerous visual art reviews and catalogue essays and also works as an oral-history interviewer for the National Library of Australia.

He has had long experience as a broadcaster and maker of radio documentaries.(with translations from the French by Mathilde de Hauteclocque and from the German by Christine Winter), (Canberra: ANU E Press in association with Aboriginal History Monographs Inc., 2007), 267 pp. Centre of Biography, Australian National University, published online 2016. : An Introduction’ in (Canberra: ANU Press, 2014), pp. ‘Myths of Discovery and Settler Identity: Probing the “first” crossing of the Blue Mountains after 200 years’, vol. International scholarship has recently begun to show that lantern slide shows were a ubiquitous, globalised, and formative cultural experience.From the crucial Australian perspective we will explore the international reach and diversity of this globalised modernist apparatus.Email: [email protected] Phone: (02) 6125 2352 Location: Room #2113, School of History, Research School of Social Sciences, Coombs Building (9), Australian National University, Canberra ACT 0200 AUSTRALIA Qualification: BA (Hons), (University of Sydney) Ph D (University of Technology Sydney) Researcher profile: https://edu.au/researchers/thomas-me Martin Thomas is a cultural historian who specialises in Australian, Aboriginal and trans-national history.He has published in the areas of environmental history, landscape studies, cross-cultural encounter, expeditions and exploration, history of anthropology, and on the impact of sound recording and photography.ABR was founded to challenge a reviewing culture focused on the writing of other countries.Writers published in ABR include Randolph Stow, Judith Wright, Robert Hughes, Peter Porter, Dorothy Porter, David Malouf, Helen Garner, Clive James, Les Murray, Gail Jones, Kerryn Goldsworthy, and James Ley.2001-03: Australian Research Council Postdoctoral Fellowship, Faculty of Humanities and Social Sciences, University of Technology, Sydney (F00104426).2001: Residency at the Denise Hickey Studio, Cité Internationale des Arts, Paris.2010-14: Australian Research Council Future Fellowship (FT0992291). 2003-08: Postdoctoral Fellow and then Research Fellow, Department of History, University of Sydney.2008: Smithsonian Fellow, Smithsonian Institution, Washington D. 2004: Winner of the Gleebooks Prize for Literary and Cultural Criticism, New South Wales Premier’s Literary Awards, for 2002: Harold White Fellow, National Library of Australia.

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