There is no shortage of available resources for Ernest Hemingway essays online.Whether you are looking for critical essays or school papers written by other students, you can find plenty of different avenues to explore.by Tom Stoppard When Joseph Conrad died, Ernest Hemingway, by way of an obituary notice, wrote a little piece in the TRANSATLANTIC REVIEW, in October 1924, and what he said was that if it could be shown that by grinding T. Eliot down to a fine powder, and by sprinkling the powder upon Conrad’s grave, then Conrad would immediately jump out of his grave and commence to write, then he, Hemingway, would leave for London immediately with a sausage grinder in his luggage.
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In his marvelous Joyce biography, Richard Ellman is sensible to the same point: He refers to Bloom as somebody whom it would be difficult to imagine catching a marlin. The exotic locale and action, and the cast of hunters, gangsters, boxers, soldiers and so on, do not explain the attraction and the influence of the prose. The mysterious nature of the power of prose to describe is best exemplified for me in the story “Big Two-Hearted River,” because I have fished for trout since I was a small child and the power of the “association” as opposed to the “meaning” makes me one of the ideal readers of that story.
A second favorite explanation is that Hemingway, with his atomic prose, invented a new way of describing physical experience and the physical world. Hemingway certainly helped to bury the notion, if anyone seriously held it, that the more you pile on the adjectives the closer you get to describing the thing. The more adjectives one uses, the more precision is demanded of the description, and the more the grail recedes. At the same time, the way the words were put together disturbed me when I first read this story.
The other day I looked up a short story published about 20 years ago, and the first of my texts is a quotation from this story: It had taken me days to get that far, from Avignon where they dropped me off.
I had a bad time to Narbonne and in the square after the cafe closed it rained through the plane trees and the lights of heavy lorries swung big and yellow through the rain going south, but in the morning it was hot walking over the bridge and down the long straight between the vineyards, the country steaming brightly, and the first lift was a good one to Barcelona and after that it was pleasant coming down the coast all the way round through Magala with the mountains arid-brown in the corner of your eye 2. One of the frequent explanations of Hemingway’s “fatal attraction” has to do with the glamorous interest of locale and subject matter, the bullfighting, the fishing, the big-game hunting, and the general flexing of muscles a long way from the coteries of New York and London.
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Ernest Hemingway was a great man, but more importantly a great author who contributed significantly to modern American literature as we know it.
There were many people who would have cheerfully sacrificed Hemingway upon the graves of writers now long forgotten.
(The vagaries of reputation can be seen across space as well as time: in France after the war, and for a long time after it, one of the most highly regarded English novelists was Charles Morgan, who was comparatively little read in his own country; while the French, I am told, were thoroughly bewildered by the way that the English gave Albert Camus a stature hardly lower than Sartre’s.) Hemingway, or course, had fame as well as reputation, a public fame which no doubt worked against his literary reputation even as it made his one of the best-known names on earth.