Frankenstein Different From The Movie Thesis

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Three years later, during a wet summer on Lake Geneva, Shelley famously wrote her masterpiece, Frankenstein.Strangely, Frankenstein seems more like a magician performing a conjuring trick than a methodical scientist.Puffs of smoke billow around him as he throws handfuls of powder into a cauldron; a marionette-like skeleton materialises and bursts into flames; hair and distorted features grow in front of our eyes.Even Mary Shelley herself would have undoubtedly approved.It may seem as though Kenneth Branagh bothered to read the novel before attempting to recreate it on screen but despite being a fairly faithful Frankenstein adaptation, it veers far more towards camp melodrama, rather than gothic horror.To begin with, the novel Frankenstein and the film Mary Shelly's Frankenstein (1994) differ in the design of settings, space as it is experienced by the characters.The film one attracts the audience's attention more.In other words, the film is still quite different from the novel; besides, the question of which one is better for the readers is being attendant.As a result, in contrast with Frankenstein by Mary Shelley, the film Mary Shelly's Frankenstein (1994) directed by Kenneth Branagh successfully presents far more attractive gothic elements, including space as it is experienced by the characters, the endings of the plot, and moral lessons about family issues.”, sets the tone for a whole generation of remakes.This sequel to Frankenstein (1931) goes even more off-script than its predecessor.


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