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Although the clue is subtle, it is the first signs of her potential behavior.Continuing, further through the play, Medea offers more signs of her future behavior.Confronted with pain, every other human reality seemed to dissolve.
Critical Analysis of Medea In the play Medea, the character gives many hints throughout the play of her final act of vengeance.
As the story progresses the necessity for Medea to seek revenge also builds inside of her.
While Medea and Jason are talking about their children Medea trembles and says, “Something might happen.
It is…likely…that something might happen to the bride and the marriage” (I 278).
He takes up the story after all of Jason’s successes have been accomplished with Medea’s help.
Jason has deserted Medea to marry the Greek princess, Glauce, leaving Medea with two small sons.As a tragedy, this play is completely unlike the Aristotelian concept of tragedy, but it has a nerve-jarring impact.It also reveals the extent to which Euripides diverges from his fellow tragedians, Aeschylus and Sophocles, in his depiction of human pain.The first signs of Medea’s potential behavior appear at the beginning of the play when the Nurse tells how Medea is terribly hurt.The Nurse says of Medea’s behavior, “But Medea lies in the house, broken with pain and rage; she will neither eat nor drink” (I 14).Euripides was probably in his fifties when this play was first produced in 431 , an age when a sensitive person is fully aware of the agony that life can inflict on a person.What struck him most was the universality of suffering.With there is no comforting philosophy to put the tragic agony at a safe psychological distance.Instead, Euripides tries to make Medea as close to an actual woman as possible, and to show her fiery lust for vengeance in naked action with nothing to mitigate its effect.In , Euripides portrays a very important aspect of terrible suffering, namely, the desire of the sufferer to create the identical agony in the person who caused it.The dramatist recognized the crucial link between anguish and hate.