And when she tried to take her speed typing test, she vomited on the floor, and almost had to be carried to the washroom.
The Glass Menagerie "seems to derive its continued if wavering force from its partly repressed representation of the quasi-incestuous and doomed love" between Tom and Laura" (Harold Bloom). As far as the text of the play is concerned, the only time Tom really expresses his feelings about Laura is at the end, when he confesses that even though he has escaped from the stifling effect of the family home, he cannot forget Laura.
However, this passage is not in itself an indicator of an incestuous or even "quasi-incestuous" love.
During the play Tom does not, in the text, show any unusual attachment to his sister.
This opportunity was indeed taken in the celebrated 1973 television production, starring Katharine Hepburn as Amanda.
At the beginning of scene 4, when Tom returned at five in the morning and entertained Laura with tales of what had happened at the theater, there was a flirtatious manner between them that suggested something more than conventional love between siblings.
How does the fire escape function as a symbol to reveal something about each character's personality?
What are the similarities between Tom and his father?
Amanda tells his Christian adults do not live by instinct, yet again creating another dividing difference between them.
These things drive Tom even further away from his mother, until he eventually deserts them, as she continues to frown upon his nightly excursions and eating habits, much to the dismay of Laura.