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Analysis: Juliet's impatience in anticipation of the nurse's arrival is similar to that of when she had to wait for news of the wedding arrangements.A considerable sense of impending doom hangs in the atmosphere.
As they walk in the street in hot summer weather, Benvolio suggests to Mercutio that they go indoors, fearing that a fight will be unavoidable if they were to meet the Capulets.
Tybalt arrives looking for Romeo because he wants to fight him.
Analysis: The hopeful tone of Act 2 changes dramatically at the beginning of Act 3 as Romeo becomes involved in the brutal conflict between the families.
The searing heat, flaring tempers, and sudden violence of this scene contrast sharply with the romantic, peaceful previous night.
His separation echoes the balcony scene where he said "Call me but love…Henceforth I never will be Romeo".
However, Tybalt seeks revenge against Romeo because a Montague appeared at a Capulet feast.The intense violence also highlights the masculine world in which the play is set.Until Mercutio dies, Romeo remains emotionally distinct from the other characters in the scene.Juliet feels conflicted because her love for Romeo clashes with her love and sense of duty to Tybalt, her cousin.Juliet expresses her conflicting emotions for Romeo using oxymoronic language: "Beautiful tyrant, fiend angelical".Mercutio intervenes and declares that if Romeo will not fight Tybalt, he will. Romeo, attempting to restore peace, throws himself between the combatants.Tybalt stabs Mercutio under Romeo’s arm, and as Mercutio falls, Tybalt and his men hurry away.She laments that she will die without a wedding night, a maiden-widow.The Nurse tells Juliet that Romeo is hiding at Friar Laurence's cell and Juliet sends the Nurse with a ring, bidding Romeo to come and say goodbye.Though love is generally the opposite of violence, and death, he portrays self-annihilation as the only response to the emotional experience that being young and in love constitutes.Shakespeare plays with the idea of death throughout the play, and the possibility of suicide recurs often, foreshadowing the deaths of the protagonists in Act 5.