St Agnes Stand Essay

St Agnes Stand Essay-28
Follow Porphryo's actions and then comment upon the effect of Keats' manipulation of pace, lines 294-7 19. However, this was rejected on the grounds that the changes made the poem too sexually explicit. There is a semantic field of cold, for example, words such as ‘bitter chill’, ‘frozen grass’, ‘numb’, ‘frosted breath’ and ‘icy hoods’ all convey a sense of cold that surrounds the Beadsman at the start of the poem. Still, still she dreams, louder the frost wind blows. The Eve of St Agnes opens with the cold- we are immediately plunged into senses; a theme which continues through the rest of the poem.

Follow Porphryo's actions and then comment upon the effect of Keats' manipulation of pace, lines 294-7 19. However, this was rejected on the grounds that the changes made the poem too sexually explicit. There is a semantic field of cold, for example, words such as ‘bitter chill’, ‘frozen grass’, ‘numb’, ‘frosted breath’ and ‘icy hoods’ all convey a sense of cold that surrounds the Beadsman at the start of the poem. Still, still she dreams, louder the frost wind blows. The Eve of St Agnes opens with the cold- we are immediately plunged into senses; a theme which continues through the rest of the poem.

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Keats' use of the Spenserian stanza formally encourages this tendancy towards descriptiveness. (He also prepares the room) Madeline turns up and undresses and goes to sleep. Silver and moonlight imagery runs throughout the poem, contrasting with vividly coloured images. Track the different aspects of his character shown to us and express your own opinion of him. This refers to Madeline’s royal ancestry, but the shield suggests violence- the feud between Porphyro’s family and Madeline’s family.

The stanza, containing eight lines of iambic pentameter and final alexandrine, a line of iambic hexameter, does not require the kind of compression associated with the ottava rima Keats used in 'Isabella'. (after looking at the nice things in the room) Creepy guy Porphyro sneaks out of closet and him and Madeline 'do business'. Some notes: Stanza 1-5: Semantic field of cold: "The owl, for all his feather, was a-cold, They have limped trembling through the frozen grass" plus: "numb", "frosted breath", "freeze", "icy" contrasts with the warmth of the castle later on. Verbs: Beadsman: "saith", "meagre", "praying".= pathetic, decayed, weak. The red-blood and the blush introduce colour, and contrast with the cold light of the moon.

(On Deaths Door) Action switches to Madeline, who is oblivious to the festivities. Switches again to Porphyro- waiting to see Madeline. Angela tells him whats supposed to happen to Madeline and laughs. Church is described with horrible images: "sculptured dead", "emprisoned in black". Music and sounds of celebration "music's golden tongue", "snarling trumpets". Stanzas I - III Describe the beadman and his world. This is another example of how Keats uses rich imagery to portray an idea of ‘fine excess’.

This hints that religion and faith cannot stop what is about to happen to Madeline. Identify specific words and phrases that create this atmosphere and tone. In stanza XXX there is a hint of luxuriousness and sensuality in the description of Madeline’s bed linens- this and the excessiveness and eroticism of the feast prepare us for their sexual fulfillment.

The sounds of celebration (‘music’s gold tongue, silver, snarling trumpets’) introduce activity and earthly pleasures.

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Is his voyeurism justified by his marriage intentions? This sudden juxtaposition has elements of both surprise and fine excess; the descriptions of the Beadsman and Madeline show much to do with senses- feelings in particular (the Beadsman’s numbness for example) and we also get the sense of surprise in the dramatic switch between cold and warmth.There are contrasts throughout ‘The Eve of St Agnes’ and these binary opposites such as cold to warm and exterior to interior have an element of surprise.Near the start of the poem, there is a description of Madeline, and it includes a semantic field of youth e.g.However, the word ‘heaped’ gives the impression that Porphyro is careless- but we could also say that he puts extra in the room to make sure his plan works.The phrase ‘fine excess’ could mean detailed descriptions throughout the poem, or it could mean the extravagance of the luxurious feast in Madeline’s room.It’s very detailed and we get the idea that Madeline is provocative and is perhaps seducing an imaginary husband.We may then question whether Madeline tempts Porphyro in this way, and isn’t as innocent as we think- again showing the idea of surprise.In the poem, there is the sense that women can’t be trusted because of the maid, Angela, being so naïve, and letting Porphyro go to Madeline’s room.The reader may see Angela as a ‘pimp’ due to this action, also an idea of an untrustworthy person. Try to explain the sense and effect of the final stanza. Keats definately meant for Porphyro to make love to Madeline, which is made clear in stanza XXXVI: In September1819, Keats suggested alterations to the poem, including a rewrite of stanza XXXVI and the two proceeding lines: See, while she speaks his arms encroaching slow, Have zoned her, heart to heart, - loud, loud the dark winds blow!In stanza XXX1, there is the idea of extravagance again; ‘these delicates he heaped with glowing hand’.

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